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ArtRank Velocity Index
Spotting emerging artists exhibiting significant career momentum. AI-run: powered by the ArtRank algorithm and informed by over 6.5M data points.
| Rank | Artist | Key Velocity Indicators |
|---|---|---|
| 1 | Tau Lewis | Featured on PBS's Art21 in 2024, signaling strong institutional belief and critical validation of her unique sculptural language. This is a key indicator of long-term potential. |
| 2 | Chase Hall | Signed with GRIMM in 2024, a gallery known for launching careers. Solo show at GRIMM Amsterdam in 2025 further solidifies his market position. |
| 3 | Qualeasha Wood | Exhibited in the 2024 New Museum Triennial, a major platform for emerging artists. This institutional validation is a significant career milestone. |
| 4 | Kennedy Yanko | Solo exhibition at the SCAD Museum of Art in 2024. Known for her innovative use of found metal and paint skins. |
| 5 | Emmanuel Taku | Presented by Roberts Projects at Art Basel Miami Beach 2023, generating significant attention and sales. Known for his vibrant portraits. |
| 6 | Cristina Tufiño | Solo exhibition at Lulu, Mexico City in 2024. Her work explores themes of identity and displacement. |
| 7 | Genesis Jerez | Solo exhibition at Deli Gallery, New York in 2024. Her paintings explore themes of memory and identity. |
| 8 | Hannah Levy | Solo exhibition at Casey Kaplan, New York in 2024. Her sculptures combine industrial materials with organic forms. |
| 9 | Cameron Clayborn | Solo exhibition at The Hole, New York in 2024. His ceramic sculptures are gaining recognition for their unique forms. |
| 10 | Esther Park | Solo exhibition at Stems Gallery, Brussels in 2024. Her paintings explore themes of nature and abstraction. |
ArtRank Undervalued Index
Identifying established blue-chip artists whose current market values underestimate their long-term significance. AI-run: updated continuously.
| Rank | Artist | Key Value Gap |
|---|---|---|
| 1 | James Turrell | Despite immense institutional acclaim, prices are below peak. Roden Crater completion could trigger revaluation. Strong gallery support offsets illiquid market. |
| 2 | Joan Jonas | Prices lag despite Venice Biennale recognition. Early video works undervalued relative to peers. Institutional interest remains high. |
| 3 | Robert Irwin | Market cooled despite continued museum acquisitions. Large-scale scrim works difficult to trade, creating value gap. Primary market strong. |
| 4 | Bruce Nauman | Prices softened after peak, despite major retrospectives. Neon works undervalued. Strong institutional support endures. |
| 5 | Vija Celmins | Prices pulled back from peak despite critical acclaim. Drawings undervalued vs. paintings. Strong gallery representation. |
| 6 | Richard Serra | Drawings and smaller sculptures trade below peak. Large-scale installations dominate institutional presence, limiting market activity. |
| 7 | Jeff Koons | Select series prices declined from peak. Institutional presence remains strong, despite market fluctuations. |
| 8 | Yayoi Kusama | Print prices softened despite ongoing 'Infinity Room' popularity. Institutional demand remains exceptionally high. |
| 9 | Frank Stella | Early works trade below peak. Continued museum exhibitions validate historical importance. |
| 10 | Cindy Sherman | Select series prices corrected from peak. Institutional validation remains consistent. |
Artist Trend Analysis
Get a quick assessment of any artist's market trends and sentiment. Powered by AI and refined by our training data.